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4559 Vote; release Year: 2020; Directed by: Guy Ritchie; Actor: Charlie Hunnam; Genre: Crime, Action; duration: 1Hour, 53 M. December 19, 2019 1:07AM PT Guy Ritchie returns to British gangster terrain for the first time since 2008, but an all-star ensemble can't enliven his stale, sometimes offensive material. It took Guy Ritchie a little over a decade to make the transition from self-styled auteur to journeyman, and his output was hardly worse off for the change. At the turn of the century, he announced himself as the swaggering enfant terrible  of British genre cinema with the sharp Cockney crime pic “Lock, Stock and Two Smoking Barrels, ” though the law of diminishing returns set in fast: 2008s “RocknRolla” was a tired gangster retread that still marked a step up from the Madonna folly “Swept Away” and the incomprehensible, Kabbalah-inflected “Revolver. ” A reset was called for; slick studio tentpole projects beckoned, ranging from a snazzy “Man from U. N. C. L. E. ” revival to an impersonal but profitable turn in the Disney stable with “Aladdin. ” Its a second phase that has bought enough goodwill for Ritchie to don his tweed auteur flatcap once more. Enter “ The Gentlemen, ” a knockabout all-star return to the underworld that feigns to remind us who its director really is, but feels, in most respects, like a hedging of bets. A blander stylistic exercise than whiplash-inducing early efforts like “Lock, Stock” and “Snatch, ” less ambitious but more cohesive in its structural trickery than “Revolver, ” it would feel like boilerplate Ritchie if he hadnt just spent 11 years away from the genre principally associated with his name. For Ritchie fans not burnt out on the sundry guns-and-geezers imitations spawned by his early successes, then, “ The Gentlemen ” is, in its own way, as much an exercise in cautious nostalgia as any Disney remake, right down to the prominent involvement of revived production company Miramax. The former house of Weinstein even gets an onscreen shoutout — courtesy of the scripts silliest fillip, a movie-within-a-movie plot with little great payoff — that does little to dispel the impression of a film made principally for the amusement of those behind it. A less forgivable blast from the past, however, is a discomfiting strain of racially-based humor running throughout Ritchies original script, making flat punchlines of multiple Asian characters. At such points, “The Gentlemen” leaves cheerfully shopworn territory behind, settling instead for actively retrograde. It begins, as Ritchie films are wont to do, with a literal bang: a flash-forward to smooth American criminal Mickey Pearson ( Matthew McConaughey, accessorised throughout with sparkly ear stud and mile-wide smirk) as he saunters into a London pub, orders a pint and a pickled egg, and promptly gets his brains blown out by an unseen shooter. Or does he? Cue the first of several rewinds and alternative narrative splinters, intended to boggle any brains not still lingering on the peculiarity of someone ordering a pickled egg in 2019. “If you wish to be the king of the jungle, its not enough to act like the king, you must be the king, ” McConaughey purrs, though his introductory voiceover is another bit of misdirection: The bulk of the film, it turns out, is narrated by Fletcher ( Hugh Grant, cast joltingly against type as a working-class rascal) a deviously impartial observer to various East End gangster wars, who has worked them into his own Ritchie-esque screenplay titled “Bush. ” A leading but elusive figure in “The Gentlemen, ” Pearson is the active protagonist of “Bush, ” titled after his roaring trade: a marijuana empire scattered between underground bunkers in various stately homes around the English countryside. A white-trash expat who climbed the British social ladder by dealing to Oxford scholars, Pearson is after his own posh country pile, targeting an early, well-heeled retirement with his wife, street-smart Essex girl Rosalind (Michelle Dockery, a good sport in a role with more outfits than character traits. The word “gentrification” gets bandied about a lot in “The Gentlemen, ” not necessarily with a negative slant: New money is as honorable as old money in Ritchies Britain, just as long as theres a lot of it. But when Pearson looks to cash out his business to fellow Yank Berger (Jeremy Strong, amping up the Kendall Roy skeeziness) his comfy plans are imperilled by a tangled series of bad trades and betrayals — to which Fletcher fancies himself an invaluable witness, turning up at the door of Pearsons dapper right-hand man Raymond ( Charlie Hunnam) with a 20 million blackmail demand. Its an oddly circuitous way of unspooling an otherwise standard-issue dishonor-amongst-thieves plot, much of it relayed by Fletcher to Raymond on the latters backyard patio — a distinctly undynamic setting, and one of several suggestions of a pinched budget here. Occasional digressions into Fletchers fictional screenwriting notions (“Im a storyteller: as they say in the film game, Im laying pipe, ” he leers) add little but self-satisfaction to proceedings, as do stray, strained cinematic references to the old-school value of 35mm lensing and the narrative twistiness of Coppolas “The Conversation. ” (“A bit boring, to be honest, ” Fletcher declares, though in his defense, he hasnt actually seen “The Gentlemen. ”) Its an approach that often leaves Hunnams impassive lackey figure to carry much of the action — which he does, with slightly mournful charm — while his more flavorful superiors recede into the background. Other stars dart in and out of the action at random, inessential intervals. Colin Farrell is amusing as a plaid-tracksuited Irish mentor to a coterie of young thugs (mostly men of color, none with any independent character agency) but is all but dispensable to whatever intrigue there is. British-Malaysian star Henry Golding has the thankless task of heading up a crew of East Asian heroin dealers — the other characters uncertainty over his exact identity is played for a hackneyed laugh — whose interference with Pearsons business seemingly leads the film to the conclusion that American drug lords are somehow more appealingly rogueish than Chinese ones. The actors, splendidly kitted out in autumnal suiting and knitwear by costume designer Michael Wilkinson, have what fun they can with such thin, dated material, but everyone here deserves better: Despite scattered references to grime music and Brexit, “The Gentlemen” carries precious little flavor, either in its quick, choppy craft or its familiarly expletive-laden dialogue, of British life, politics, vernacular or even filmmaking in 2019: Where “Lock, Stock and Two Smoking Barrels, ” for all its obnoxious, now over-imitated tics, burst onto the U. K. indie scene with genuinely reckless, rebellious energy, this feels as much a mouthy tourist in its modern London as McConaugheys enterprising scumbag. Himself gentrified by a decade in Hollywoods big leagues, Ritchie doesnt much seem to know his own scuzzy world anymore.

A lot or a little? The parents' guide to what's in this movie. The film definitely has messages, but anything "positive" falls into gray areas. For instance, the movie is anti-heroin and cocaine but strongly pro-marijuana. Positive Role Models & Representations Story is about drug lords, but it portrays them in a counter-stereotypical way. A female garage owner employs mostly female mechanics, is a shrewd businessperson. Mickey may not be the greatest guy, but he's in a loving, committed relationship. Coach trains at-risk boys to keep them off the street, but how he shows them to make amends is iffy. These rare instances are set among a lot of criminal/dodgy behavior. Opens with someone getting shot in the head. Graphic violence continues throughout: shootings, threats with knives, beatings, lots of blood. Other violence includes poisonings, long falls, a rape. A woman sensually grabs her husband's crotch. Conversation is layered with innuendo. Off-camera bestiality played for shock and comedy. Characters curse constantly, especially "f- k. Men frequently call people they don't like "c- ty. " Other words include "a- holes. c- k" d- k. piss. and "s- t. Frequent use of slurs, including "Chinaman. Sexual terms used to mean something else. Drug lords are rich and talk about deals in terms of nine figures. Money is equated with power and style, which is translated into high-fashion clothing, watches, homes, grills, cars, bars, and cigars. Drinking, Drugs & Smoking Film takes place in business world of drug manufacturing, dealing. Characters who do cocaine, heroin, meth are considered lowly, stupid, classless, but pot is considered good, and an argument is made a couple of times that it's harmless. A joint is rolled on camera. All the rich men smoke cigars, often in moments of power and bonding. Several scenes take place in a bar with "Gritchie" for "Guy Ritchie" beer on tap, and characters regularly drink beer and hard liquor. What parents need to know Parents need to know that The Gentlemen is a Guy Ritchie -directed crime-action movie about a very cool drug supplier named Mickey Pearson ( Matthew McConaughey. Mickey, his wife Rosalind ( Michelle Dockery) and his employees are portrayed as smart, sharp, strong, skilled, and generally enviable. Like Ritchie's other films, this one is incredibly violent, with graphic shootings, knives, beatings, a rape, long falls, and lots of blood. Ritchie's values. hard drugs are stupid, pot is harmless compared to other vices, taxes are out of control, and if you ban guns, then you're defenseless against criminals. are on his sleeve in this film, but parents may not always agree with them. The script also pokes at political correctness by including words that seem intended to make viewers ask questions like "Hold up, is that racist? Is that homophobic. in fact, there's a whole conversation about what's racist and what's not. Extremely strong, coarse language includes "f- k. c- t. and more, a woman fondles her husband over his pants, and there's an off-screen act of bestiality. In other words, this film. while thoroughly entertaining for adults. definitely isn't for kids. Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. Subscribe User Reviews Language This movie is entertaining, but it comes with a cost. There is frequent F bombs and the C word is used more than is comfortable. Please know how your kids react. Continue reading Teen, 15 years old Written by ruben226 January 25, 2020 Teen, 13 years old Written by bigbelly February 4, 2020 Is it any good? Guy Ritchie 's crime comedy won't be making any "best family movies of the year" lists, which may be the best marketing it can get. After a decade spent making more commercial films like Aladdin, King Arthur: Legend of the Sword, and Sherlock Holmes, Ritchie returns to his core skill set: telling violent stories about thugs, criminals, fighters, and the underworld. He's clearly been feeling pent up, as it all comes out (literally) guns blazing. The Gentlemen has a clever concept, snappy dialogue, creative characters, and stupendous style. In a meta turn, it's delivered as a mystery narrated by a sleazy private investigator named Fletcher (Grant has rarely been better) who's turned the events into a script and peppers his "pitch" of sorts with filmmaking references. It's a whirlwind of moving parts, but the audience never gets lost in the tornado of events. The characters are all on the wrong side of the law and life, and adults can appreciate the film for what it is and see that crime doesn't pay, even when it does. That said, younger viewers may buy into the movie's pro-weed, pro-gun attitude. While Mickey says that his "hands are dirty. the ultimate takeaway is that coming up with an orderly, principled pot-farm business wasn't just OK, it was shrewd. In another situation, Rosalind nags her husband about having a gun because it's a ticket to prison; later, she's only able to protect herself with his gun, but is still woefully unprepared. Both of these suggest that following the law can hold you back or even hurt you. and if you're smart, you work around it. They say a gentleman always remembers, but when it comes to picking up trains of thought from pop culture, so do kids. Talk to your kids about... Families can talk about the role of guns  The Gentlemen. Do you agree with how they're portrayed? What's the impact of media violence on kids? How are drugs depicted here? Are there consequences for their use? Why does that matter? Would you say any of the characters here are "good" or "bad"  Do you think it's more interesting to have characters who are clearly moral or immoral, or is it better for them to be a mixed bag? What positive character strengths and life skills do they display? How are drinking and smoking depicted? Are they glamorized? Why do you think the script includes such strong language? What do you think the screenwriter is trying to say by using insensitive language to describe people? Or the scene where the characters discuss what is and isn't racist.

What a film from start to end this movie was super amazing.

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Totally absorbed. Great plot, great cast, great film

Here"is"the"link"The"Gentlemen" Senhores"do"Crime full Film Online The Gentlemen - Senhores do Crime Full Movie, 2018 live steam: Watch online. Being frankly honest, I didn't know the ins and outs of Guy Ritchie's gritty films but I will certainly be on the look out for his others now. The cast are brilliant. Seeing Hugh Grant particulary in this kind of role was a breath of fresh air and showed he isn't only a rom-com man. Also a standardly good ferformance by the multi-talented Colin Farrell and I only expect to see more of Henry Golding in the near future.
The film itself followed a good story, easy and interesting to follow. The comedy and wit of the characters really makes for an enjoyable 2 hours in the cinema.